The Kelly Clarkson Debate
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Miss Kelly, at her best, is a spectacular vocalist. I think even her first and less listened-to album "Thankful" is a great album to listen to - whatever you think about the quality of the songs themselves - because she sang the shit out of them. I must admit nurses, though, that I'm perplexed by this situation with her managers and her fued with Clive Davis. Here's why...
A) I've been listening to tracks from the new and hotly contested album "My December" on AOL first listen and I have to say they sound like B-sides from Breakaway. Does "Never Agiain" not sound like a poor man's Since U Been Gone? And does it not make a certain amount of NO SENSE? Like how one minute she'll be with you forever and then the next moment you're never gonna have her again? Perhaps if the song was titled Spectral-Ex-Girlfriend-With-Mixed-Motives I would give more of a shit.
B) I really don't approve of Kelly constantly singing these songs that damage her voice. Did you hear her attempting to perform "Since U Been Gone" at the Olympics? She's just screeching; no sound is able to come out. I understood one album of angry girl songs but maybe she really did all she could with that and now it's time for her to pull a Christina and morph into Baby Jane?
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D) Why is this news? This is old as the struggle between art and commerce. When Amy Winehouse's label wants to fire her for vomitting on fans, that's news because she's doing something outrageous. When an evil corporate entity tries to squash an artist for expressing unpopular political opinions, that's news because that's outrageous. What's happening here seems like the age old push and pool of production companies wanting control and artists wanting freedom, and I just can't believe how I keep getting rooked into clicking on these headlines and then once again nothing that interesting has happened.
So, fagulous nurses, what do we think? Is anyone in the right here? Should we be ragging on Clive or Kelly or should we just stop paying so much attention?
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